PRÉSENTATION DU CONTENU
The Marcel Duchamp Exhibition Records contain correspondence, planning and installation records, clippings, ephemera, photographs, reference material, and other institutional records generated by the department of Modern and Contemporary Art (formerly the Twentieth Century Art Department), during the course of organizing and/or participating in seven exhibitions concerning Marcel Duchamp: "Marcel Duchamp" (Philadelphia Museum of Art, The Museum of Modern Art, and The Art Institute of Chicago, 1973-1974); "Marcel Duchamp" (Musee National d'Art Moderne (France), 1977); "Exhibition of Marcel Duchamp" (Seibu Bijutsukan, 1981); "Marcel Duchamp" (Fundacio Joan Miró, 1984); "A propos of Duchamp" (Philadelphia Museum of Art, 1987); "Marcel Duchamp at Blainville" (Blainville-Crevon, 1991); and "Marcel Duchamp" (Palazzo Grassi, Venice, 1993). The collection also inlcudes limited and primarily registrarial information concerning the loan of two paintings to the "Duchamp Memorial Exhibition" (American Academy of Arts and Letters, 1970).
NOTE BIOGRAPHIQUE ET HISTORIQUE
The Twentieth Century Art Department of the Philadelphia Museum of Art, then called the Department of Modern and Contemporary Art, was established in 1971. Museum Director Evan Turner appointed Anne d'Harnoncourt, a Marcel Duchamp scholar and curator, as the first department head. In this capacity, d'Harnoncourt oversaw the development of the new department's acquisitions, installation and other programs, and, in conjunction with Kynaston McShine and others from the Museum of Modern Art, organized its first exhibition, the seminal 1973 retrospective "Marcel Duchamp." This was a fitting inaugural exhibition for the department given the museum's unparalleled collection of Duchamp's work, most of which was acquired through the 1950 gift of the Louise and Walter Arensberg Collection. Following her appointment as the museum's Director in 1982, d'Harnoncourt continued to work with the staff of the department of Modern and Contemporary Art to produce original Duchamp scholarship and exhibitions, most significantly the museum's 1987 "A propos of Duchamp" exhibition, celebrating the 100th anniversary of Duchamp's birth, in which virtually everything by Duchamp which the museum owned at that time was displayed.
In addition to organizing exhibitions internally, the department of Modern and Contemporary Art supports outside institutions in their preparation of Duchamp exhibitions, most commonly through loans and advice. In the past thirty years, the museum has lent works to several important shows, including those at the Musee national d'art Moderne (France), the Seibu Bijutsukan, the Fundacio Joan Miro, and the Palazzo Grassi. In addition, d'Harnoncourt and other department curators have contributed scholarship and advice. For example, d'Harnoncourt's essay "Before the Glass: reflections on Marcel Duchamp before 1915" was published in the Seibu Bijutsukan "Exhibition of Marcel Duchamp" catalog, and she traveled to Japan to present a slide lecture.
INFORMATIONS ADMINISTRATIVES
- Organisme
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Philadelphia Museum of Art, Library and Archives
- Mention préférée
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[Item identification and date], [Series info.], Marcel Duchamp Exhibition Records, Philadelphia Museum of Art, Library and Archives.
- Dates extrêmes
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1967-1993, undated
- Informations sur l'acquisition
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Transferred from the Department of Modern and Contemporary Art to the Philadelphia Museum of Art, Archives, July 2001.
- Informations sur le traitement
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These materials were arranged and described by Katherine Stefko, Katy Rawdon, Adrianna Del Collo and Vicky Rodner. Funded by a grant from The Andrew W. Mellon Foundation.
ACCÈS
- Conditions d'accès
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The collection is open for research. Insurance information, condition reports, and loan records, along with associated correspondence, are restricted; excerpts may be made available at the discretion of the Archivist.
- Conditions d'utilisation et de reproduction
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The Marcel Duchamp Exhibition Records are the physical property of the Philadelphia Museum of Art, Archives. The Museum holds literary rights only for material created by Museum personnel or given to the Museum with such rights specifically assigned. For all other material, literary rights, including copyright, belong to the authors or their legal heirs and assigns. Researchers are responsible for obtaining permission from rights holders for publication and for other purposes as stated.
